Art, a profound mirror reflecting the essence of time, finds its voice in the work of Md Razwanur Rahman. Hailing from the lush and vibrant land of Bangladesh, Rahman’s creative journey is deeply intertwined with the verdant landscapes and flowing rivers of his homeland. From his earliest memories, he was captivated by the act of drawing, using old slates and chalk to capture the world around him. The serene hills of Kaptai and the rhythmic flow of the Karnafuli River have been enduring sources of inspiration throughout his artistic life.

Rahman's formative years were marked by a burgeoning passion for art. While still in primary school, he was honored with awards for his artwork, affirming his growing creative talent. His early experiences included decorating his mother’s handmade wall mats with intricate motifs, a practice that further nurtured his artistic inclinations. The supportive environment at home and school laid a strong foundation for his future endeavors.

A significant milestone in Rahman's artistic development came with the opportunity to study under Bangladesh's esteemed pioneer artist, Shafiuddin Ahmed, where he honed his skills in metal engraving. His artistic vision was further enriched through his interactions with Monirul Islam, a renowned Bangladeshi-Spanish artist, who introduced him to modern printmaking techniques and a deeper appreciation of nature’s influence on art. Additionally, his close relationship with Professor Mahmudul Haque provided a platform for vibrant exchanges of ideas and artistic processes.

In addition to his practical experience, Rahman is also a dedicated writer and documentarian of art. His biographical writings and video documentaries on artists, including a notable piece on Professor Mahmudul Haque, have been published and preserved in archives in both India and Bangladesh. His work documents the life and influence of artists, contributing to a richer understanding of the artistic community.

Passionate about both creating and educating, Rahman was the next person to conduct a pioneering mezzotint workshop in Bangladesh in 2003, following the introduction of mezzotint media in the country, further demonstrating his commitment to art education. Today, as a freelance artist, he explores various media to capture the essence of time and movement, aiming to provoke thought and reveal deeper truths through his work.

Publications:

‘Life Time Success of Artist Prof. Mahmudul Haque’ (India International Centre)

‘Art Criticism of an Artist’ (Bangladesh Shilpakala Academy)

Exhibitions:

Nature, Life, and Faith (2008), Gallery Arts and Soul, Dhaka

Prints and Beyond (2008), Gallery Shilpangon, Dhaka

Bienal de Gravura de Douro (2012), Douro Museum, Vila Real

Printmakers' Delight (2012), Bangal Art Lounge, Dhaka

The Art of Engraving: International Exhibition (2017), National Museum of Ukrainian Art, Kyiv

Innocence and Beyond (2018), Gallery Duaree, Dhaka

50 Years of Friendship (2022), EMK Center, Dhaka

100th Birth Anniversary of Shafiuddin Ahmed (2022), Zainul Gallery, Dhaka